Karlo mila biography of abraham
KARLO MILA is a performance poet of Tongan, Palangi and Samoan descent who was recently described as one of this countrys most original young writers.
Biography of jacob Karlo Mila is a New Zealand poet. She is of Tongan, Palangi (Palagi) and Samoan heritage, and educated at Massey University in Palmerston North. Her first award was the NZSA Jessie Mackay Award for Best First Book of Poetry at the Montana New Zealand Book Awards, for Dream Fish Floating.[1].She was born in Rotorua, grew up in Palmerston North and now lives and works in Auckland.
Karlo attended Massey University where she completed a BA in Sociology and Social Anthropology and a Masters in Social Work (Applied). In addition, during this time she completed Auckland Universitys Creative Writing course taught by Albert Wendt.
Karlo also worked for three years as the Pacific Health Research Manager for the Health Research Council.
She says that she has been writing poetry since she was in standard three.
She currently holds a scholarship to do her PhD which will examine policy and planning for the New Zealand born Pacific population.
Milas poetry has been published in Best New Zealand Poems , Short Fuse: The Global Anthology of Fusion Poetry, The New Zealand Listener and Coffee and Coconuts.
Several of her poems also feature in the Montana New Zealand Book Award-winning anthology Whetu Moana. Dream Fish Floating is her first published collection.
Like other Pacific authors Karlo draws wisdom and compassion from her
ancestral cultures but is not constrained by them. Honest and unafraid,
she has spread her net wide in order to capture the many concerns that
many people are grappling with as they face the realities of a
globalised and impersonal world.
Professor Konai Helu Therman, University of the South Pacific
They break all the fobby stereotypes of what Pacific people in this country are supposed to be like. They dont wear mumus or tupenu to their ankles. They are extremely well educated, ultra-urban, with sophisticated palates, good politics and basically theyre downright fabulous. Theyre not afraid of who they are and theyre not having cultural identity crises even though they dont fit the traditional Pacific mould
One of Teresas friends, Victor Rodger, is a Pacific writer breaking down the stereotypes of who we Pacific people are supposed to be and what kind of box we are supposed to fit into to.
I do have some concern about our art-forms sometimes, in that they (subconsciously or super-consciously) embellish the stereotypes that abound. Such as bunging a tapa pattern on a canvas or making references to hibiscus in a poem and somehow considering that to be Pacific
But essentially what this poem is also about and what concerns me more is the practice of deciding what is not Pacific.
I have come across so many cultural gatekeepers who try and control who we collectively are (e.g. Pacific academics, the highly visible community leaders and professionals etc). They often seem to have a very conservative and limited sense of what you must be and how you must be to be a real Tongan or Samoan etc. It is a bit of an in and out game, as subjective as those whats hot and whats not lists you see in magazines except these are cultural scripts and tick-boxes.
There is often such a disempowering sense of disapproval associated with changing and deviating from the imagined and authentic pathways of Polynesian identity and representation.
Biography of abraham bible
Karlo Estelle Mila MNZM (born ) is a New Zealand writer and poet of Tongan, Pālagi and Samoan descent. Her first collection, Dream Fish Floating, received the NZSA Jessie Mackay Award for Best First Book of Poetry in at the Montana New Zealand Book Awards.Sadly for all us, these ideas of what constitutes authenticity can be far from actual Pacific realities in New Zealand. This poem was written as an in-your-face rant, basically A bit of a backlash about these mean-spirited things we do to ourselves as a community.
Fob: Fresh Off the Boat
Poem: Sacred Pulu