Jilali gharbaoui biography of michael w

Biography of michael jackson In the French capital city, Gharbaoui enjoyed the vivid cultural life, by frequenting intellectuals, and artistic places. More specifically, he encountered, and befriended the influent French art critic Pierre Restany (), as well as the Belgian-born poet, and painter Henri Michaux ().

Jilali Gharbaoui

Moroccan painter and sculptor

Jilali Gharbaoui (Arabic: الجيلالي الغرباوي; –) was a Moroccan painter and sculptor from Jorf El Melha.[1] He is considered, along with Ahmed Cherkaoui, a pioneer of modernist art in Morocco.[1] Unlike other Moroccan modernist artists, his abstraction was based in brushstrokes and the "materiality of the paint" as opposed to Moroccan culture.[2] Gharbaoui suffered from severe mental illness and died of suicide in Paris in [1]

Life

He started studying art at the Academie des Arts in Fes.[2] He traveled to France in [3] With the assistance of the novelist Ahmed Sefrioui, then director of fine arts in Rabat, Gharbaoui was able to attend the École des Beaux-Arts in Paris.[2] He studied for four years then worked at the Académie Julian for a year.[3]

He befriended the poet and painter Henri Michaux, the painters Hans Hartung and Jean Dubuffet, and the art critic Pierre Restany.[4]

With a grant from the Italian government, he lived in Rome from to , when he returned to Morocco.[3] In this period he frequently went to Paris for work, and in , Pierre Restany introduced Gharbaoui at the Salon Comparaisons&#;&#;[fr].[1][3]

He was hosted often by Abbot Denis Martin at the Benedictinemonastery of Toumliline, where he created wall decorations.[1][3]

During his life, he exhibited around Morocco and in Egypt, France, the Netherlands, the United States, and Brazil.[5] His art appeared in the magazine Souffles-Anfas.[6]

He was found dead by suicide on a public bench in the Champ de Mars in Paris in [1][2] His body was repatriated and buried in Fes.[2]

In , the Arab World Institute in Paris hosted a retrospective exhibition dedicated to him.[2]

Art

Before he embraced abstraction in the early s, Gharbaoui experimented with French Impressionism and German Expressionism.[6]

According to Toni Maraini&#;[it], "Gharbaoui’s work largely focuses on movement and nervous brush-strokes.

With chromatic disorder and an automated vitality, he creates a neutral space and an active, expressive material."[6]

In Art in the Service of Colonialism, Hamid Irbouh describes Gharbaoui and Ahmed Cherkaoui as "bipictorialists" in contrast with the nativists of the Casablanca School.[7] Whereas the nativists, led by Farid Belkahia, sought to break entirely from French and Western art, the bipictorialists included Moroccan and Western influences, working toward a reconciliation of the various dimensions of postcolonial Moroccan identity.[7]

References

  1. ^ abcdefPowers, Jean Holiday (), "Gharbaoui, Jilali (–)", Routledge Encyclopedia of Modernism (1&#;ed.), London: Routledge, doi/rem, ISBN&#;, retrieved
  2. ^ abcdef"Composition".

    Barjeel Art Foundation. Retrieved

  3. ^ abcde"Gharbaoui, Jilali".

    Jilali gharbaoui biography of michael Jilali Gharbaoui (Arabic: الجيلالي الغرباوي; –) was a Moroccan painter and sculptor from Jorf El Melha. [1] He is considered, along with Ahmed Cherkaoui, a pioneer of modernist art in Morocco. [1].

    Benezit Dictionary of Artists. doi/benz/article.b Retrieved

  4. ^العرب, Al Arab (September 13, ). "الجيلالي الغرباوي الفنان الذي اخترع الحداثة الفنية في المغرب | فاروق يوسف". صحيفة العرب (in Arabic). Archived from the original on Retrieved
  5. ^"Jilali Gharbaoui".

    Jilali gharbaoui biography of michael jackson Along with Ahmed Cherkaoui, Jilali Gharbaoui is considered one of the founders of modernism in Morocco. While Gharbaoui felt himself and his art to be deeply influenced by Morocco, particularly by the colors of Moroccan earth, it was not in the direct and traceable way of Cherkaoui's work.

    . Retrieved

  6. ^ abc"Souffles-Anfas Contributors, –", Souffles-Anfas, Stanford University Press, pp.&#;–, , ISBN&#;, retrieved
  7. ^ abIrbouh, Hamid ().

    Art in the Service of Colonialism. ISBN&#;.